Miriam’s Well Announces Its First Book Publication–Migrant Moon by Barbara Robidoux

This spring, Miriam’s Well is very pleased to announce the publication of its first print book! We hope to do more such projects in the future.

And here is some selected text–haiku and haibun:

moonwashed
a dry river bed
remembers water

MIGRATION

Three bottle nose dolphins circle the harbor off Nantucket Island. It is a cold December day and they should be out to sea on winter migration south. No one knows why they have come into the harbor. An old woman stands alone on the shore. she watches and listens.

“they have come for me”
she tells
no one.

For ordering information, click here.

Georgia O’Keeffe stories

Georgia O’Keeffe stories
A reading by Margaret Wood from her new book
Working with famed artist Georgia O’Keeffe and learning the rustic ways of northern New Mexico filled author Margaret Wood with stories that she shares in her newest book, O’Keeffe Stories, a limited-edition production by the Press at the Palace of the Governors. Wood reads from the book on Friday, May 25, at 6 pm in the New Mexico History Museum Auditorium. The event is free, and the books, printed by letterpress on fine paper and bound by hand, will be available for purchase at $225.
A $19.95 trade edition is being published by the Museum of New Mexico Press and will be available in July.

Tres Chicas Announces the Publication of Elizabeth’s Jacobson’s New Book!

TIME PIECES WILL OPEN AT 516 Gallery in Albuquerque

May 26
6-8 pm
516 Central Avenue SW

I’ll be there opening my show Wendover Landing with Christy Hengst and Alisa Dworsky.

The images below are from Alisa’s sculpture “Soledad.” They are from a close to finished fabrication stage in her studio.

Come join us for a finished view!

The Santa Fe River Trail and River Channel Improvements are Completed; Celebration is this Saturday, April 28–Report and Photos by Ursula Moeller

The Santa Fe River Trail and River Channel Improvements are Completed;
Celebration is this Saturday, April 28

Santa Fe, NM – April 24, 2012 – On Saturday, April 28, 2012 from 9:30
a.m. to 11:30 a.m. the City of Santa Fe will celebrate the opening of
new segments of the Santa Fe River Trail, and the completion of
extensive improvements along the Santa Fe River between Camino Alire
and Frenchy’s Park. The celebration will take place at the southwest
corner of Calle Don Jose and the Santa Fe River Road. The gathering
will include a ribbon-cutting ceremony, music, activities for
children, tree planting, and a group bicycle ride. Attendees are
encouraged to ride their bicycles (or walk) to the event. Park-and-
bike options include Alto Park, Griego Park and Frenchy’s Park which
are all situated along the River Trail.

The newly completed sections of the Santa Fe River Trail add 1.3 miles
to the city’s urban trail network for pedestrians and bicyclists. The
River Trail now extends from St. Francis Drive west to Frenchy’s Park
for a total of 2.1 miles of off-road, non-motorized travel along the
river’s edge.

Extensive work completed on the Santa Fe River includes new grade-
control structures, built with large limestone boulders. The
structures will help to control erosion and prevent the continued down-
cutting of the river bed. New bank protection will stabilize river
banks to protect the river trail and other adjacent properties. With
grading and contouring of terrain, steep eroded river banks have been
reduced to gentle slopes while the river’s flood plain has been
widened which will slow down storm flows. Rock-lined structures along
the river’s edge will help capture and clean storm-water runoff from
adjacent streets. Plantings of new trees, shrubs, and grasses will
provide for new greenery, shade, wildlife habitat and additional
channel stabilization.

The $4.5-million project was paid for with funds provided by the state
of New Mexico, plus city of Santa Fe bond funds that voters approved
for the development of the city’s urban trail system.

***

Ursula writes:

The Legislature decided to let water run in the Santa Fe RIver twice this year. Water began running on April 16th and arrived near Frenchy’s Field on Wednesday, two days later. SInce then I’ve been walking along the river daily, marveling at the work the city has done preparing the river bed, adding huge rocks and planting hundreds of native willows and many cottonwood trees along the shore. Both willows and cottonwood trees have leafed out in the last few days. The water threads along in ribbons, tumbles over small waterfalls and round stone dams that people have added. Within a few days, swallows circled overhead and a killdeer ran along the water’s edge. Ravens took baths and perched on a new fence to fluff their wet feathers.

Many people of all ages have been enjoying the river. I’ve seen children lying on their stomachs in the water, running gleefully barefoot in the wet sand, marching down the rippling water and sitting in the middle of the river, watching it flow around them. One laughing boy was floating a homemade blue boat on a string behind him. There are “installation pieces” made of heart rocks and sticks. One has blue ribbons tied to willows where people have written blessings and poems on the ribbons.
There is a strong sense of community about it already, with people smiling at each other commenting on their joy in having flowing water. Many are walking, riding bikes, roller skating and skateboarding, running and pushing strollers along the new path beside the river.
It is lovely in the quiet morning light, under the midday sun and gleaming silver at sunset. It feels like a miracle in our high desert.

BOUND UNDER THE INFLUENCE BOOKS – EDITIONS – LETTERPRESS – WORKS ON PAPER & SOUVENIRS

BOUND
UNDER THE INFLUENCE
BOOKS – EDITIONS – LETTERPRESS – WORKS ON PAPER & SOUVENIRS

collected and made by Suzanne Vilmain

BINDINGS: Accordian Broadside Codex Chapbooks Loose Leaf Pamphlet Ledger
Stab Scrap Origami Pop-up Peep-Show Photocopy Abecedaries Map Folds Fan
Journal Scroll Zine/Collaborations Toaster Purse Vise Ephemera Calendars
Art Handmade Recycled Palimpsest – CABINETS OF CURIOSITIES

INCLUDING BOOKS & ART BY SOME OF MY FAVORITE INFLUENCES:
BANTOCK, BANYAI, DUCHAMP, ERNST, FREDERIC CLEMENT, LEONARD COHEN,
DANA NEWMANN, MICHELLE GOODMAN, KAHLO, KLEE, BOURGEOIS, HOCH,
DAVI DET HOMPSON, YOKO, CAGE, ROBERT BASSARA, TIM ELY, E. KLINGNER,
KATE KRASIN, L. KOREN, HEDI KYLE, NERUDA, DOLPH SMITH, TOM LEECH,
MARTHA LITTLE, BARB TETENBAUM, MARILYN CHAMBERS, VICTORIA RABINOWE,
H.N.WERKMAN, TAPIAS & ZINK and so many more……………….

Like falling down a rabbit’s hole……………..

Mesa Public Library Art Gallery – Los Alamos, NM
APRIL 2-30th 2012
Reception: Saturday, April 7 2 – 4 pm

Poetry Reading at opcit Sunday March 4

H Marie Aragon
Judy Mosher
Elizabeth O’Brien
Marmika Paskiewiez

The poets all met in a Joan Logghe poetry class & have been working together for about 1-1/2 years now.
opcit bookstore, next to Counter Culture, March 4 – Sunday 2-3 pm, 930-C Baca Street.

Occupy Poetry Reading in Santa Fe

Santa Fe poets Mary Strong Jackson and Michael G. Smith, and Albuquerque poet Jules Nyquist appear in a international poetry anthology Liberty’s Vigil, The Occupy Anthology: 99 Poets among the 99% (Foothills Publishing, 2012). They will be hosting a reading at the Lucky Bean Downtown Café on Wednesday, February 22nd, 6 – 8 PM in the former Border’s space at Sanbusco Center. Poets and anyone else are invited to come and read from the Anthology. The Anthology features 99 poems contributed by 99 poets. Copies of the Anthology can be ordered at http://www.foothillspublishing.com/2012/id44.htm. A portion of the proceeds go towards supporting the Occupy Movement.

Love Poem Texting Contest!

Dearest Friends,

I’m new to txting, and am endlessly fascinated when I get these brief messages. Within this simplified message, where is human emotion, where is love?

I am announcing a contest called “Luv 4ever.”
Who can write the best love letter using an abundance of txting language.

the criteria:
-use of txting language, the more the better
-compelling, human, funny, serious, anything real.
(hey, a rant against the commodification of love is just as well)

The prize:
This is a collaboration. I will be letterpress printing an edition of 50 of this letter as a kind of contemporary proclamation. (the typeface Futura comes to mind, for this futuristic language.) You will receive a percentage of these broadsides (poster) that you can do what you like with. The winner and runners-up will have their letters posted on my new website which I will launch in mid-march.

Please have fun with this and forward this to anyone (especially teenagers) who might be interested.

Deadline: march 1, 2012

Yours truly,
Edie Tsong

!

http://www.edietsong.artaxis.org

http://www.edietsong.blogspot.com

http://www.cloudexchange.etsy.com

Still Some Spaces in Julia Goldberg’s Intermediate Fiction Class at Santa Fe Community College

Q and A

Hi Julia–I see there are spaces left in your intermediate fiction class at SFCC. I want to ask you a bit about the class.

Is there a particular focus in the class–plot, editing, etc.?

Julia: The class actually touches most of the bases when it comes to the craft of fiction. We work specifically on point of view, sense of place, character, dialogue, plot—the works. With that said, plot tends to be a major focus, as does the editing process. While there is certainly a fair amount of “free writing” in this class, it is geared toward writers who want more tools for the revision process, so that is a major focus.

 
What should a student expect in the class?

The class really emphasizes the craft side of writing fiction. We use Janet Burroway’s Writing Fiction book, which takes a hard look at all the technical elements of fiction—from point of view to verb tenses—and provides what I think is an excellent survey of other writers’ views and experiences about these elements. The class has a free write almost every time we meet, and those are geared at practicing some of the techniques that we look at in the weekly readings. And then a major focus of the class is the workshop process. This is a chance for the writers to gather feedback and edits from their classmates and, of course, from me.
 
What is your favorite thing about teaching the class?

I really enjoy hearing the results of the free-writes—I’m always amazed at where they lead, and I love seeing solid revisions come out of these workshops. Many of the students who have been in this class in prior years now publish regularly and read in public regularly, and it’s exciting to see that fairly fast trajectory from classroom to active writing life.

 
What kind of reading?

The Burroway book also functions as a great anthology of short fiction, and we do a fair amount of reading and discussing these stories. I can never resist Ron Carlson’s “Keith,” which is both a great read and an excellent story to look at for craft. And then there’s Flannery O’Connor, Eudora Welta, Stuart Dybek…this semester, I’m hoping to work in a story by Ann Beattie, since she’s in the Lannan line-up this spring, and also one of my favorites. Every other year I seem unable to resist including Hemingway’s Hills Like White Elephants. This might be an on year for that.

Anything else you’d like to add?

Although some people come to the class with manuscripts ready to workshop, this also is a class in which participants can develop material out of the in-class assignments if they are in the mood to start from scratch. We don’t read novels in the class, but students who are working on a novel certainly can workshop portions of it. Each student will workshop three pieces of writing of 8-10 pages (no more than 15) and submit one revision of each.
***
To register: 428-1000
www.sfcc.edu
If you need the pre-requisite overridden, contact Miriam Sagan after January 1 at miriam.sagan@sfcc.edu

Follow

Get every new post delivered to your Inbox.

Join 134 other followers