I recently saw Twenty Feet from Stardom--about back-up singers. Since I love Soul music and the rock and roll that derives from it about as much as I love life itself, this was a fantastic experience. I cried from the first notes through the credits.
There are lots of themes in the film, but one outstanding one is–what does it mean to sing back-up? Does everyone want or need to be the star?
As the eldest of four children, I know I’m happy bossing a small group around. I’d make a good first violinist, personality-wise, or lead guitar. (Or hey, classroom teacher.)
But am I Mick Jagger? No. If I could sing like any of the women in the film would I be beyond happy? Yes.
As one speaker points out–when you sing along, you are singing back-up. That is, harmony. So I think after all I am singing back-up. Isn’t that the poet’s job–to sing back-up to truth and beauty?
Miriam's Well: Poetry, Land Art, and Beyond
Santa Fe Literary Scene, Poetry, Land Art, New Mexico
Miriam's Well: Poetry, Land Art, and Beyond 
I fell in love with this film, too. If you aren’t already familiar, Zenobia from ABQ plays here often, and she knows most of the people in the film and sang with them and many others. She is the hardest working musician I know. Hope to dance with you while she plays sometime.