Launched last week! Come see it in central courtyard of Santa Fe Community College. A few additions and corrections coming soon, but it’s basically done!
Stoneware haiku created and installed by Christy Hengst. Haiku curated by Miriam Sagan. Funding from the Witter-Bynner Foundation, Santa Fe’s own extraordinary poetry foundation that enhances our lives in many venues. Support from SFCC Foundation, New Mexico Literary Arts, the ever lively Art on Campus, and my old home base–The English Department.
Photographs by Matt Marrow.
GENJUAN International Haibun Contest 2018 GUIDELINES – NEW!
Genjuan 幻住庵 is the name of the cottage near Lake Biwa where, in 1690, Basho lived for a time. His residence in this ‘Vision-Inhabited Cottage’ was probably the happiest period of his life, and it was there that he wrote his most famous short haibun. The purpose of the Contest is to encourage the writing of fine haibun in English and maintain the connection between the traditional Japanese perception of haibun and what is evolving around the world. The judges are hoping that the Contest will continue to receive a warm response from all haibun writers. The award for the Grand Prix remains the same – a fine, full-size replica of a Hokusai or Hiroshige ukiyo-e print – and smaller gifts will be sent to the An (Cottage) Prize-winners. The writers of all the decorated works will receive a certificate of merit. We sincerely look forward to your participation.
Guidelines for 2018
1 Subject: Free.
2 Style: No restrictions, but special attention must be paid to honour the spirit of haikai. This includes such features as the subtle linking of haiku with prose, omission prompting the reader’s imagination, humour and self-depracation.
3 Length: In total, between 7 and 35 lines (at 1 line = 80 spaces; a 3-line haiku counts as 3 lines; the title, as 1 line).
4 Haiku/Title: At least one haiku (no formal restrictions) should be included and each piece should be given a title, however short.
5 Format: Print each piece separately on one sheet of A4-size paper (and use the reverse if long) and write at the bottom your name (and your pen name, if you have one) together with your address, telephone number, and email address. Your privacy will be strictly protected, and the judges will not see your names until the result has been decided.
6 Deadline: All entries should reach the following address between 1 October 2017 and 31 January 2018. Please send your entries to: Ms. Eiko Mori, 2-11-23-206 Jokoji, Amagasaki-shi, Hyogo-ken 660-0811, Japan. Entries received after this date might not be accepted. Kindly avoid sending by express and using extra-large envelopes. Best write your home address on your envelope, too. We apologize for not being able to accept emailed entries.
7 Entry Fee: None.
8 Restrictions: Entrants can send up to three entries, but two is what we normally expect. They should be unpublished and not under consideration elsewhere. As we cannot return your entries after screening, please retain your own copies.
9 Questions: All queries should be sent to the address above or by email to email@example.com Email Ms. Mori 2 weeks after sending your entries if you wish to have an acknowledgement of receipt.
10 Judges: Nenten Tsubouchi (emeritus), Stephen Henry Gill (Tito), Hisashi Miyazaki, Angelee Deodhar (newly appointed)
11 Special Request: The authors of the decorated works will later be requested to send us their pieces as Word-files by email. In this, we expect your cooperation.
12 Results: The results will be posted on the Hailstone Icebox by May after awardees have first been notified by email. Later, the prize-winning pieces will be posted there on a dedicated page. Judges’ comments will, in due course, be sent to awardees, together with prizes and/or certificates of merit.
Particularly thought provoking and enlightening issue:
throwing out the book —
the author obsessed
with her fat
– Miriam Sagan
old as I am
I still fondly regard
– Miriam Sagan
has slunk away
the neighbor’s kittens
I played with—
the neighbor’s kittens
I played with…
At a haiku conference for five days, and then slept upwards of twelve hours. This morning, it seems the season has changed without my noticing it. Our easy going house guest has gone, and instead numerous daddy long legs fill the corners of the room. All of the pots of mums have suddenly dried and died–I bought them past their peak to impress visitors that the garden was still blooming when it really wasn’t. Other spiders cluster, and something–predator or prey–leaves a tiny red smear on the wall.
I don’t think
just one word
can describe this